“La Main à Plume” figures in China Miéville’s THE LAST DAYS OF NEW PARIS as the group of surrealist resisters to which the protagonist Thibaut belongs.
Historically La Main à Plume was the name for a surrealist collective and the clandestine review they published in occupied Paris from 1941 to 1944.
An anthology of its texts and illustrations was published in 2008. Amazon link here.
“In 1941, while André Breton and many other surrealists were in exile in America, a handful of young people decided to group together in Paris in order to maintain surrealism in occupied France. In reference to the verse by Rimbaud (“La main à plume vaut la main à charrue”, “the writer’s hand is as important as the hand that guides the plough”), the group calls itself la Main à plumeand to signify its will to revolt against the powers that be. The opposition was not only intellectual and this generation of those that were “twenty years old in the year 1940″ were to pay a heavy price to the armed struggle. In its four years of existence, la Main à plume managed to publish, in semi-clandestinity, a dozen collective publications and about thirty individual pamphlets. Sixty years later, this anthology collects for the first time some of these texts, poems and illustrations. Taken from brochures that have become incredibly rare, these writings, produced in difficult circumstances, reveal that the group, far from playing the merely interim role that it is all too often assigned, also proposed new reflections in two of the most important fields of investigation in surrealism: the Image and the Object. One can see this in particular from the large choice of texts from the projected anthology on the Objet, which has remained unpublished to this day” (my translation).